Music
As part of my own artistic endeavors, I am committed to performing and programming works by historically excluded composers. No Broken Links is a directory highlighting solo and chamber music by composers from communities who continue to face marginalization in the field of classical music. Brandon Rumsey and I produce and edit a public-access directory that aims to champion diversity in classical music by forming an ambassadorship with those individuals presented on the directory.
As a performing artist, I have garnered numerous prizes in various national and international competitions, alongside appearing as a soloist at Carnegie Hall. As both a performer and scholar, I have contributed to notable national and international conferences, including the Music Teachers National Association, the Association for Arts Administration Educators, the Strategic National Arts Alumni Project, the North American Saxophone Alliance, and the Sabre Festival in Zürich, Switzerland. Within my work as a guest clinician, I have been invited to teach and provide clinics at various institutions, such as Montclair State University, California School of the Arts, San Francisco Conservatory, Texas A&M International University, and Wagner College, among others. My primary teachers include Stephen Page, Geoffrey Deibel, Zachary Shemon, and Stacy Wilson.
Shams Concerto for Alto Saxophone and Saxophone Ensemble by Jean-Denis Michat
One of my favorite pieces to perform, there’s a jolt of electricity from the very start, for both performer and audience, which just makes me feel on top of the world. A passion project of mine, this saxophone ensemble version was recorded with a group of lovely friends, in October of 2020. Suffice to say, a global pandemic did not make this one easy… but we did it.
With Eyes Open by Ingrid Stölzel
This was the first piece in which I collaborated with pianist extraordinaire Evan Hines. What drew me to Evan was his gentle and subtle approach to music-making, and this piece of music has a kind of delicacy that feels so vulnerable (especially at the end). But his humor and compassion, and our similar love for Beyoncé has continued to foster a fruitful friendship.
This Earthly Round by Miriama Young
Oh, this one... It seems fitting that I studied this during the pandemic, because we felt “in the dark” as a society; questions and questions and questions. The soundscape here feels simultaneously right and wrong - you’ll see what I mean. The sounds are strange, and I love it. A great memory for me is playing this piece in a lesson for my now colleague Dr. Stephen Page. We both were like… “Oh, this is a good one”.
Look For Me by Nico Muhly
Chamber music is my bread and butter. I knew I wanted to be in a chamber ensemble when I began my doctorate degree at UT Austin, but I also wanted to do something different… Reed Quintet. Great friends. Fun rehearsals. Lasting memories. That’s all.
Sonata for Alto Saxophone and Piano, I. Moderate by David Maslanka
Sechs Lieder, Op. 13 by Clara Schumann
SPECTRAX by Enrico Chapela



